There is no point in building shadow puppets early on when your show is still in its early stages. I will explain why and guide you step by step from storyboard to final construction.

I can help you examine what functions and what does not, and find ways to fix the problems in your show or story.

How our co-speech gestures support, alter or even contradict the meaning of the spoken words.

Group workshops or individual lessons in the techniques of papercutting. Its relationship to folklore, shadow theater, 2D graphic narratives, film and more.

For actors, storytellers, public speakers. Original and unique exercises to learn how and what the hands can express as we speak.

In this workshop we will explore how spoken words interact with 2D images (paintings or photographs) in performance. The interaction is under the control of the performer, who manually changes the pictures as the story progresses. In Kamishibai, a traditional form of storytelling that originated in Japan, all the pictures for the story are contained in a wooden, theater-like box. The audience simultaneously perceives the movements, gestures and words of the storyteller and th

What draws audience attention to a story? What are the techniques to make the story engaging?

(in construction) Cabinets of Curiosities Symbolic Objects From the Book of Nature to the Theater of the World Collections as Art or Store Regarding, Ogling and Peeping Words and Things The Drama of Objects and Object Theater When the Image becomes Object When Objects Tell a Story When You Tell a Story with Objects Theaters with Boxes in Different Cultures